Accessibility

This book reveals that the twentieth-century shift from "design for the average" to "design for all" took place through political, economic, and scientific structures concerned with defining the disabled user and designing with them in mind. Tracing the coevolution of accessible design for disabled veterans, a radical disability maker movement, disability rights law, and strategies for diversifying the architecture profession, Hamraie shows that universal design was not just an approach to creating new products or spaces but also a sustained, understated activist movement that challenged dominant understandings of disability in architecture, medicine, and society. Illustrated with a wealth of archival materials, Building Access brings together scientific, social, and political histories in what is not only the pioneering critical account of universal design but also a deep engagement with the politics of knowing, making, and belonging in the United States during the twentieth century"

Designing Disability traces the emergence of an idea and an ideal - physical access for the disabled - through the evolution of the iconic International Symbol of Access (ISA). The book draws on design history, material culture and recent critical disability studies to examine not only the development of a design icon, but also the cultural history surrounding it.Infirmity and illness may be seen as part of human experience, but 'disability' is a social construct, a way of thinking about and responding to a natural human condition. Elizabeth Guffey's highly original and wide-ranging study considers the period both before and after the introduction of the ISA, tracing the design history of the wheelchair, a product which revolutionised the mobility needs of many disabled people from the 1930s onwards. She also examines the rise of 'barrier-free architecture' in the reception of the ISA, and explores how the symbol became widely adopted and even a mark of identity for some, especially within the Disability Rights Movement. Yet despite the social progress which is inextricably linked to the ISA, a growing debate has unfurled around the symbol and its meanings. The most vigorous critiques today have involved guerrilla art, graffiti and studio practice, reflecting new challenges to the relationship between design and disability in the twenty-first century.

"In Design Meets Disability, Graham Pullin shows us how design and disability can inspire each other. In the Eameses' work there was a healthy tension between cut-to-the-chase problem solving and more playful explorations. Pullin offers examples of how design can meet disability today. Why, he asks, shouldn't hearing aids be as fashionable as eyewear? What new forms of braille signage might proliferate if designers kept both sighted and visually impaired people in mind? Can simple designs avoid the need for complicated accessibility features? Can such emerging design methods as “experience prototyping” and “critical design” complement clinical trials?"

"Human Factors in the Built Environment is a comprehensive and up-to-date resource that integrates the relationship of the human body and space planning to the design process for designers involved with the physical planning and detailing of interiors. Key topics include proxemics, anthropometrics, ergonomics, sensory components, diversity, global concerns, health and safety, environmental considerations, special populations and universal (inclusive) design. The text broadly covers space planning applications and the relationship of human factors to the design process for commercial and residential spaces from programming to post-occupancy evaluation. Nussbaumer addresses barrier-free design for new construction and retrofitting issues, and various contract design types such as offices, hospitality, and healthcare design. A global approach throughout includes U.S. imperial and metric systems of measurement."--Publisher's website.

Making Disability Modern: Design Histories brings together leading scholars from a range of disciplinary and national perspectives to examine how designed objects and spaces contributes to the meanings of ability and disability from the late 18th century to the present day, and in homes, offices, and schools to realms of national and international politics. The contributors reveal the social role of objects - particularly those designed for use by people with disabilities, such as walking sticks, wheelchairs, and prosthetic limbs - and consider the active role that makers, users and designers take to reshape the material environment into a usable world. But it also aims to make clear that definitions of disability-and ability-are often shaped by design.

Furniture and tools, kitchens and campuses and city streets--nearly everything human beings make and use is assistive technology, meant to bridge the gap between body and world. Yet unless, or until, a misfit between our own body and the world is acute enough to be understood as disability, we may never stop to consider--or reconsider--the hidden assumptions on which our everyday environment is built. In a series of vivid stories drawn from the lived experience of disability and the ideas and innovations that have emerged from it--from cyborg arms to customizable cardboard chairs to deaf architecture--Sara Hendren invites us to rethink the things and settings we live with. What might assistance based on the body's stunning capacity for adaptation, rather than a rigid insistence on “normalcy”, look like? Can we foster interdependent, not just independent, living? How do we creatively engineer public spaces that allow us all to navigate our common terrain? By rendering familiar objects and environments newly strange and wondrous, What Can a Body Do? helps us imagine a future that will better meet the extraordinary range of our collective needs and desires.

"This groundbreaking collection imagines disabled bodies as "bodies in commotion"-bodies that dance across artistic and discursive boundaries, challenging our understanding of both disability and performance. In the book's essays, leading critics and artists explore topics that range from theater and dance to multi-media performance art, agit-prop, American Sign Language theater, and wheelchair sports. Bodies in Commotion is the first collection to consider the mutually interpretive qualities of these two emerging fields, producing a dynamic new resource for artists, activists, and scholars."

This book presents interdisciplinary scholarship on art and visual culture that explores disability in terms of lived experience. It will expand critical disability studies scholarship on representation and embodiment, which is theoretically rich, but lacking in attention to art. It is organized in five thematic parts: methodologies of access, agency, and ethics in cultural institutions; the politics and ethics of collaboration; embodied representations of artists with disabilities in the visual and performing arts; negotiating the outsider art label; and first-person reflections on disability and artmaking. This volume will be of interest to scholars who study disability studies, art history, art education, gender studies, museum studies, and visual culture.

"Disability and Contemporary Performance presents a remarkable challenge to existing assumptions about disability and artistic practice. In particular, it explores where cultural knowledge about disability leaves off, and the lived experience of difference begins. Petra Kuppers, herself an award-winning artist and theorist, investigates the ways in which disabled performers challenge, change and work with current stereotypes through their work. She explores freak show fantasies and 'medical theatre' as well as live art, webwork, theatre, dance, photography and installations, to cast an entirely new light on contemporary identity politics and aesthetics.
This is an outstanding exploration of some of the most pressing issues in performance, cultural and disability studies today, written by a leading practitioner and critic."

"Challenges the ableism of fairy tales and offers new ways to celebrate the magic of all bodies. In fairy tales, happy endings are the norm - as long as you're beautiful and walk on two legs. After all, the ogre never gets the princess. And since fairy tales are the foundational myths of our culture, how can a girl with a disability ever think she'll have a happy ending? By examining the ways that fairy tales have shaped our expectations of disability, Disfigured will point the way toward a new world where disability is no longer a punishment or impediment but operates, instead, as a way of centering a protagonist and helping them to cement their own place in a story, and from there, the world. Through the book, Leduc ruminates on the connections we make between fairy tale archetypes - the beautiful princess, the glass slipper, the maiden with long hair lost in the tower - and tries to make sense of them through a twenty-first-century disablist lens. From examinations of disability in tales from the Brothers Grimm and Hans Christian Andersen through to modern interpretations ranging from Disney to Angela Carter, and the fight for disabled representation in today's media, Leduc connects the fight for disability justice to the growth of modern, magical stories, and argues for increased awareness and acceptance of that which is other - helping us to see and celebrate the magic inherent in different bodies."

"Drawing autism celebrates the artistry and self-expression found in the drawings, paintings and collages created by people diagnosed with autism. The work of over 50 contributors exhibits an array of unique perspectives on how these individuals see the world and their places in it"--Publisher description.

An illustrated zine about living with the chronic pain of Endometriosis

"The ethical, aesthetic and political significance of practices, positions, and theories connected to health in contemporary art. In an era of fitness programs, increasing antidepressant usage, nutrition counseling and health-management apps, wellness is one of the defining issues of contemporary life, dictating every intimate aspect of our lives. Historically, art has been entwined with the values of medicine, beauty, and the productive body that have defined western scientific paradigms; contemporary artists are increasingly confronting and reshaping these ideologies, critically tackling illness and impairment in their practice while challenging ableist institutional dynamics. In this volume, artists, curators, writers, and thinkers engage with the ways the vulnerability of our bodies reveals structural aspects of our societies. At a moment at which epidemics and global warming menace all forms of life, we see clearly how health intersects with sexuality, ethnicity, gender, class, and coloniality. By reclaiming other realities, beyond a state of health as a norm, this book questions the myths, stigmas, and cultural attitudes that shape normative perceptions, revealing the interdependence of our entangled existences. The book includes four newly commissioned texts: by artists Mahmoud Khaled and Patrick Staff, by curator Clare Barlow on disability in the museum, and by curator Portia Malatjie on the work of Dineo Seshee Bopape. It also features two texts on the current COVID-19 pandemic, by Anne Boyer and Filipa Ramos."--Publisher's description

"Mad Marginal Cahier #4: I See Words, I Hear Voices brings together essays by international authors that develop different threads pertaining to artist Dora García’s practice. In her research, she explores—through the figures of James Joyce and Robert Walser—deviant literature, exploded language, the unconscious, and the notion of exile as inherent to artistic practice. García is currently examining voice-hearing and other extrasensory perceptions. Mad Marginal Charts, an abstract mapping of references central to her idea of marginality as an artistic position, marks her trajectory in this new cycle of works, which has been featured and elaborated in exhibitions in 2014 and 2015."--Publisher's description

"Mobilizing Metaphor illustrates how artistic and radical efforts are reshaping disability activism in Canada and, in the process, challenging dominant perceptions of disability. Recent changes to Canadian disability policy have seen disability programs hampered by funding cuts and other austerity measures. But this oppression has also given new life to an already vibrant Canadian tradition of disability activism. Until now, research has focused on the legal and policy spheres and overlooked disability activism that expresses itself alongside and outside conventional policy reform, often through a variety of art forms. Here, contributions by disability artists, activists, and academics show how disability art is distinctive as both art and social action. Richly illustrated with photographs and other images, and including an insightful concluding chapter by renowned disability scholar Tanya Titchkoksy, this array of artistic, cultural, and radical approaches to disability politics demonstrates that disability activism is as varied as the populations it represents. As the contributors sketch the shifting contours of disability politics in Canada and show how disability oppression is not isolated from other prejudices, they challenge us to re-examine how we enact social and political change."

"With Blind, French conceptual artist Sophie Calle (born 1953) revisits three earlier works constructed around the idea of blindness. In “Les Aveugles” (“The Blind”), created in 1986, she questioned blind people on their representation of beauty; in 1991, in “La Couleur Aveugle” (“Blind Color”), she asked blind people about their imagination of perception and compared their descriptions to artists’ musings on the monochrome; “La Dernière Image” (“The Last Image”), produced in 2010 in Istanbul, involved questioning people who had lost their sight on the last image they could remember. By establishing a dialectic between the testimonies of several generations of blind people and Calle’s photographs based on these accounts, the artist offers readers a reflection on absence, on the loss of one sense and the compensation of another and on the notion of the visible and the invisible."

Situating Inclusive Arts: aesthetics, politics, encounters -- Curation, biography and audience encounter -- How do we practice Inclusive Arts? -- Interviews with the artists -- Inclusive Arts Research -- The Future of Inclusive Arts: building a global movement