Animation

Gender, Race, and Class in Media provides students a comprehensive and critical introduction to media studies by encouraging them to analyze their own media experiences and interests. The book explores some of the most important forms of today's popular culture- including the internet, social media, television, films, music, and advertising- in three distinct but related areas of investigation: the political economy of production, textual analysis, and audience response. Multidisciplinary issues of power related to gender, race, and class are integrated into a wide range of articles examining the economic and cultural implications of mass media as institutions.-- from book cover
"Incisive analyses of mass media - including such forms as talk shows, MTV, the internet, soap operas, television sitcoms, dramatic series, pornography, and advertising-enable this provocative new edition of Gender, Race and Class in Media to engage students in critical mass media scholarship. Issues of power related to gender, race, and class are integrated into a wide range of articles examining the economic and cultural implications of mass media as institutions, including the political economy of media production, textual analysis, and media consumption. Throughout, Gender, Race and Class in Media examines the mass media as economic and cultural institutions that shape our social identities, especially in regard to gender, race, and class"-- Provided by publisher.

Summary: "In her latest landmark book... author Mindy Johnson pulls back the celluloid curtain on the nearly vanished world of ink pens, paintbrushes, pigments and tea... meet the pioneering women who brought hand-rendered animated stories to vibrant, multicolored life at Walt Disney Studios and beyond. Extensively researched with the full support of the entire Walt Disney Studios archival resources, plus a multitude of private collections, firsthand accounts, newly discovered materials, and production documentation, as well as never-before-seen photography and artwork, this essential volume redefines the collective history of animation."--Inside front jacket flap.

"Produced by the Exhibition & Production Division of the British Film Institute to coincide with the three-volume BFI/Connoisseur video compilation of animation films made by women, 'Wayward girls and wicked women'"--T.p. verso.

Freire outlines a theory of oppression and the source of liberation. In Freire's view, the key to liberation is the awakening of critical awareness and the thinking process in the individual.

"Drawing broadly on environmental philosophy, literary theory, settler colonial studies, decolonial theory, and speculative realism, Eggan quarries uncanny depictions of the natural world to unsettle not just the concept of nature but the coloniality of Nature. Unsettling Nature at once critiques Heidegger's home(l)y phenomenology and brings it forward through chapters on Willa Cather, D. H. Lawrence, Olive Schreiner, and Doris Lessing. The book concludes with a speculative proposal to transform eco-phenomenology into "exo-phenomenology," which emphasizes ways of being and perceiving that bring us out of ourselves into contact with the Other, and into an encounter with the self as Othered"-- Provided by publisher.